Cinematic Arts (CINE) Courses

Cinematic Arts

Courses

Cinematic Arts

• •  CINE 100 - Orientation to Cinematic Arts
• •  CINE 101 - Understanding Cinema
• •  CINE 170 - On-Set Safety and Best Practices
• •  CINE 201 - Film History I: Origins to 1960
• •  CINE 202 - Film History II: 1960 to Present
• •  CINE 205 - Film History
• •  CINE 206 - History of Broadcasting
• •  CINE 207 - Introduction to Screenwriting
• •  CINE 208 - Introduction to Film Production
• •  CINE 210 - Sight, Sound & Story
• •  CINE 220 - The Visual Story
• •  CINE 272 - Editing I Lab
• •  CINE 299 - Media Aesthetics
• •  CINE 300 - Orientation to Cinematic Arts
• •  CINE 301 - Critical Debates in Film and Media
• •  CINE 304 - Writing the Short Script
• •  CINE 305 - Production Workshop I
• •  CINE 306 - Intermediate Screenwriting I
• •  CINE 307 - Production Sound
• •  CINE 309 - Production I: Cinematography
• •  CINE 310 - The World and Culture Through Film
• •  CINE 313 - Sustainability and Film
• •  CINE 315 - Digital Culture
• •  CINE 316 - Popular Culture and Media
• •  CINE 317 - Women in the History of U.S. Film
• •  CINE 318 - Theory of Fiction and Film
• •  CINE 320 - Post-Production Sound
• •  CINE 322 - Experimental Filmmaking
• •  CINE 323 - Cinematic Lighting
• •  CINE 326 - Intermediate Screenwriting II
• •  CINE 327 - Producing I
• •  CINE 328 - Lighting
• •  CINE 330 - Introduction to Production Design for Motion Pictures
• •  CINE 336 - Production II: Film Production
• •  CINE 337 - Digital Arts Production
• •  CINE 340 - Production III: Advanced Production A
• •  CINE 341 - Advanced Cinematography I
• •  CINE 342 - Production IV: Advanced Production B
• •  CINE 343 - Advanced Cinematography II
• •  CINE 344 - Directing I
• •  CINE 345 - Directing II
• •  CINE 346 - The European Cinema of Communism, Fascism and Resistance
• •  CINE 347 - Introduction to Visual Effects
• •  CINE 348 - Acting for Filmmakers
• •  CINE 350 - Hollywood Does Rome
• •  CINE 355 - Introduction to Documentary Filmmaking
• •  CINE 360 - Surfside Productions
• •  CINE 362 - Black Cinemas
• •  CINE 363 - Queer Film and Media
• •  CINE 364 - Cinemas of Rebellion and Resistance
• •  CINE 370 - On-Set Safety and Best Practices
• •  CINE 374 - Editing Documentary
• •  CINE 375 - Producing and the Business of Television
• •  CINE 380 - Documentary History and Theory
• •  CINE 384 - Film Festival Experience & Analysis
• •  CINE 385 - Collaborative Script Development
• •  CINE 388 - Regional Cinemas
• •  CINE 390 - Guest Artist Series
• •  CINE 395 - Film Genres
• •  CINE 404 - Advanced Screenwriting I
• •  CINE 406 - Advanced Screenwriting II: Revision
• •  CINE 408 - Writing the Screen Adaptation
• •  CINE 409 - Selected Topics in Writing the Episodic Series Pilot
• •  CINE 416 - Editing II
• •  CINE 417 - Editing III
• •  CINE 418 - Color Correction
• •  CINE 419 - The Writers Room
• •  CINE 420 - Advanced Audio
• •  CINE 422 - Production Workshop II
• •  CINE 423 - Advanced Cinematography I, Production Techniques
• •  CINE 424 - Production Workshop III
• •  CINE 425 - Advanced Cinematography II
• •  CINE 426 - Critical Television Studies and Culture
• •  CINE 427 - Producing II: Producing Feature Films
• •  CINE 428 - Korean Cinema
• •  CINE 429 - Japanese Cinema
• •  CINE 437 - 3D Computer Generated Imagery
• •  CINE 445 - Cinema and Migration
• •  CINE 451 - American Cinema in Focus
• •  CINE 452 - Film and Media Theory
• •  CINE 453 - Mind-Game Film
• •  CINE 454 - Italian Cinema
• •  CINE 455 - Intermediate Documentary Filmmaking
• •  CINE 456 - French Cinema
• •  CINE 457 - German Cinema
• •  CINE 458 - Russian Cinema
• •  CINE 460 - Spanish Cinema
• •  CINE 465 - Advanced Documentary Filmmaking
• •  CINE 471 - Senior Seminar in Critical Studies
• •  CINE 472 - Editing IV
• •  CINE 473 - Editing V
• •  CINE 485 - Special Topics in Production
• •  CINE 486 - Alternative Media
• •  CINE 490 - Special Topics in Cinematic Arts
• •  CINE 492 - Internship
• •  CINE 499 - Special Projects in Cinematic Arts