Cinematic Arts (CINE) Courses

Cinematic Arts

Courses

Cinematic Arts

• CINE 100 - Orientation to Cinematic Arts
• CINE 101 - Understanding Cinema
• CINE 170 - On-Set Safety and Best Practices
• CINE 201 - Film History I: Origins to 1960
• CINE 202 - Film History II: 1960 to Present
• CINE 205 - Film History
• CINE 206 - History of Broadcasting
• CINE 207 - Introduction to Screenwriting
• CINE 208 - Introduction to Film Production
• CINE 210 - Sight, Sound & Story
• CINE 220 - The Visual Story
• CINE 272 - Editing I Lab
• CINE 299 - Media Aesthetics
• CINE 300 - Orientation to Cinematic Arts
• CINE 301 - Critical Debates in Film and Media
• CINE 304 - Writing the Short Script
• CINE 305 - Production Workshop I
• CINE 306 - Intermediate Screenwriting I
• CINE 307 - Production Sound
• CINE 309 - Production I: Cinematography
• CINE 310 - The World and Culture Through Film
• CINE 313 - Sustainability and Film
• CINE 315 - Digital Culture
• CINE 316 - Popular Culture and Media
• CINE 317 - Women in the History of U.S. Film
• CINE 318 - Theory of Fiction and Film
• CINE 320 - Post-Production Sound
• CINE 322 - Experimental Filmmaking
• CINE 323 - Cinematic Lighting
• CINE 326 - Intermediate Screenwriting II
• CINE 327 - Producing I
• CINE 328 - Lighting
• CINE 330 - Introduction to Production Design for Motion Pictures
• CINE 336 - Production II: Film Production
• CINE 337 - Digital Arts Production
• CINE 338 - Television Studio Production
• CINE 340 - Production III: Advanced Production A
• CINE 341 - Advanced Cinematography I
• CINE 342 - Production IV: Advanced Production B
• CINE 343 - Advanced Cinematography II
• CINE 344 - Directing I
• CINE 345 - Directing II
• CINE 346 - The European Cinema of Communism, Fascism and Resistance
• CINE 347 - Introduction to Visual Effects
• CINE 348 - Acting for Filmmakers
• CINE 350 - Hollywood Does Rome
• CINE 355 - Introduction to Documentary Filmmaking
• CINE 360 - Surfside Productions
• CINE 362 - Black Cinemas
• CINE 363 - Queer Film and Media
• CINE 364 - Cinemas of Rebellion and Resistance
• CINE 370 - On-Set Safety and Best Practices
• CINE 374 - Editing Documentary
• CINE 375 - Producing and the Business of Television
• CINE 380 - Documentary History and Theory
• CINE 381 - Directing the Documentary
• CINE 382 - Documentary Production I
• CINE 383 - Documentary Production II
• CINE 384 - Film Festival Experience & Analysis
• CINE 385 - Collaborative Script Development
• CINE 388 - Regional Cinemas
• CINE 390 - Guest Artist Series
• CINE 395 - Film Genres
• CINE 404 - Advanced Screenwriting I
• CINE 406 - Advanced Screenwriting II: Revision
• CINE 408 - Writing the Screen Adaptation
• CINE 409 - Selected Topics in Writing the Episodic Series Pilot
• CINE 416 - Editing II
• CINE 417 - Editing III
• CINE 418 - Color Correction
• CINE 419 - The Writers Room
• CINE 420 - Advanced Audio
• CINE 422 - Production Workshop II
• CINE 423 - Advanced Cinematography I, Production Techniques
• CINE 424 - Production Workshop III
• CINE 425 - Advanced Cinematography II
• CINE 426 - Critical Television Studies and Culture
• CINE 427 - Producing II: Producing Feature Films
• CINE 428 - Korean Cinema
• CINE 429 - Japanese Cinema
• CINE 437 - 3D Computer Generated Imagery
• CINE 438 - Television Studio Directing
• CINE 445 - Cinema and Migration
• CINE 451 - American Cinema in Focus
• CINE 452 - Film and Media Theory
• CINE 453 - Mind-Game Film
• CINE 454 - Italian Cinema
• CINE 455 - Intermediate Documentary Filmmaking
• CINE 456 - French Cinema
• CINE 457 - German Cinema
• CINE 458 - Russian Cinema
• CINE 460 - Spanish Cinema
• CINE 462 - East Asian Cinemas
• CINE 463 - Southeast Asian Cinemas
• CINE 465 - Advanced Documentary Filmmaking
• CINE 471 - Senior Seminar in Critical Studies
• CINE 472 - Editing IV
• CINE 473 - Editing V
• CINE 485 - Special Topics in Production
• CINE 486 - Alternative Media

Page: 1 | 2